I've got fat fingers. This means there are two professions I probably shouldn't follow - proctologist, and guitarist.
Have you ever noticed how you don't get many short stocky guitar players? Brian May, Axl Rose, Mike Oldfield and to some extent Jimi Hendrix - they're all quite tall, thin types, with long thin fingers to match.
I, however, have a guitar - a small guitar that could have been deliberately designed to make it almost impossible for me to arrange my fingertips on the fretboard in a way that shortens the strings correctly while not getting in the way of their vibrations. In other words, impossible for me to play.
Ah, but I'm not looking to play complicated melodies, and most of the time I'm just looking to play chords. And barre chords - or bar chords - where you strap your finger against the fretboard to shorten all the strings by the same amount...are easy.
So why don't I retune my guitar so playing barre chords will produce triads - the basic three note chords that even a musical ignoramus like me knows about.
It's even easier because I tend to think in minor keys, and default to A-Minor because
(1) It suits my limited vocal range and
(2) It's all white notes. Yes I know guitars don't have white and black notes, but I grew up with samplers, which means I grew up with keyboards.
So, if I tune the lowest pitched string to A, and the one above to C, and the third to E...and the next three to the same but an octave higher...I should be able to play my three chord masterworks without ever having to contort my fingers.
Um. Provided the three chords don't include C. Or G. Because thanks to the never-quite-perfect mathematics of music, my C-chord would have a flattened E as the middle note, which would clash rather horribly with any D or E notes that any other instruments are playing. The G-chord would have a flattened B, which is almost as bad.
Humph. So...what I should actually do is miss out the middle note completely - retune so adjacent strings play fifth-interval dyads. Known to rockers as...Power Chords.
Power chords. If you want a big, clean sound but aren't very good at playing the guitar, power chords are your friend. So all I need now is to work out which strings are capable of how much retuning, and within that which retuning will give my chords the power.
Standard tuning | Low E | A | D | G | B | High E |
Semitone Detune | 0 | +2 | -2 | +4 | 0 | 0 |
New Tuning | Low E | Low B | Mid E | Mid B | Mid B | High E |
Six strings with five notes between them, a low string with standard tuning for playing basslines on, and a crisp series of barre chords that still sound clear even when you crack up the distortion.
And that, my friends, is my solution to how people with fat fingers can rock out.
I'm still a bit hopeless at strumming though.
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